Netflix had a big Sunday night at the Oscars, bringing home a total of seven total trophies — leading all studios — although the streamer failed to grab the prize in the best picture category and came up empty in the acting categories.

Netflix had come into Sunday night with 36 nominations, far more than any other studio, Variety reported.

The company’s wins at the 93rd Academy Awards included two Oscars for  David Fincher’s “Mank,” the most-nominated film this year with 10 nods, for cinematography (for Erik Messerschmidt) and production design (for Donald Graham Burt and Jan Pascale).

“Ma Rainey’s Black Bottom,” adapted from the play by August Wilson, also picked up two Oscars: for makeup and hairstyling (with Mia Neal and Jamika Wilson the first Black women to win in the category alongside Sergio Lopez-Rivera) and costume design (Ann Roth). Chadwick Boseman was widely considered the favorite to win a posthumous best actor Oscar for his turn in “Ma Rainey’s Black Bottom,” but Anthony Hopkins landed the award for “The Father”. Viola Davis was in the running for best actress, which went to Frances McDormand for “Nomadland”.

Meanwhile, “Nomadland”, the story of van dwellers in America, won the best picture Oscar and two other Academy Awards on a triumphant night for women that also saw a return to Hollywood glamour after a long pandemic shutdown.

In a major upset, Britain’s Anthony Hopkins won the best actor trophy for his role as a man battling dementia in “The Father”. The Oscar had been widely expected to go to the late Chadwick Boseman for his final film, “Ma Rainey’s Black Bottom”, AP and Reuters reported.

China native Chloe Zhao was named best director for Searchlight Pictures’ “Nomadland”, making her the first Asian woman and only the second woman ever to take home the trophy. Kathryn Bigelow was the first in 2010.

Zhao thanked the nomadic community for “teaching us the power of resilience and hope and reminding us what true kindness looks like”.

Social distancing forced a rethink of the ceremony, moving it to Union Station in downtown Los Angeles.

After strict COVID-19 testing and quarantine protocols, nominees and their guests walked the red carpet, mostly mask less. They sat in a cabaret-style room inside the Mission Revival-style rail station or chatted in an outdoor courtyard.

The prospect of all four acting honors going to people of color for the first time was not realized. But 15 women won a record 17 Oscars, the Film Academy said, including for sound (“Sound of Metal”), production design (“Mank”), original screenplay (“Promising Young Woman”) and documentary feature (“My Octopus Teacher”).

The national reckoning about systemic racism in the United States was also a theme following the murder conviction last week of a white police officer who knelt on the neck of Black man George Floyd.

“As a mother of a black son, I know the fear that so many live with, and no amount of fame or fortune changes that,” said Regina King, who directed “One Night in Miami”, about four black icons at the height of the 1960s civil rights movement.

Youn Yuh-jung, 73, won the best supporting actress Oscar for her role as a cantankerous grandmother in immigrant tale “Minari”.

Youn, the first South Korean actor or actress to win an Oscar, joked about people mispronouncing her name.

“Tonight, you are all forgiven,” she said. “Me being here, I cannot believe it.”

The ceremony for the highest honors in the movie business took place after a turbulent year for the industry that shuttered production and movie theaters for months and saw studios delay the release of some blockbusters by more than a year.

“This was indeed a hard year for everyone, but our love for movies helped to get us through it,” said presenter King, opening the ceremony, which had no host for the third straight year.

McDormand made a passionate plea for people to return to theaters.

“One day, very soon, take everyone you know into a theater, shoulder to shoulder in that dark space, and watch every film that’s represented here,” she said.

Britain’s Daniel Kaluuya was named best supporting actor for his role as 1960s Black Panther activist Fred Hampton in “Judas and the Black Messiah”.

The movie “Soul”, the first from Disney’s Pixar to feature a black lead character, won best animated feature, while Denmark’s “Another Round” took the prize for best international feature.

The winners were chosen in a secret ballot by the 9,000 members of the Academy of Motion Picture Arts and Sciences.