‘Sitaare Zameen Par’ offers moving tale of compassion
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6 months ago 06:00:15am Television

‘Sitaare Zameen Par’ offers moving tale of compassion

New Delhi, 21 June, 2025, By IBW Team

‘Sitaare Zameen Par’ offers moving tale of compassion

Aamir Khan returns with a film that’s as deeply emotional as it is socially reflective ‘Sitaare Zameen Par’, a tender, heartfelt story that doesn’t just tug at the heartstrings but gently breaks them along the way. Directed by R.S. Prasanna, the film takes its inspiration from a modest Spanish original, yet elevates the premise with soulful storytelling and performances that pulse with sincerity.

As per a UNI report, the film explores the transformation of basketball coach Gulshan Arora, played by Aamir Khan, from a dismissive cynic to a compassionate mentor of a spirited team of specially-abled players. The story thrives on its emotional honesty, trading dramatic tropes for moments of gentle humour and human grace. One such moment — a scene where Gulshan convinces a water-fearing team member to bathe — is layered with symbolic warmth and captured with such disarming innocence, it evokes the mood of a Disney fable.

The screenplay lends space and dignity to each of the differently-abled characters, allowing their personalities to evolve gradually. Aamir Khan’s Gulshan isn’t instantly reformed — his growth is slow, messy, and human. The coach’s early prejudice, expressed through lines like “Pagal ko pagal na kahun toh aur kya kahun?”, is slowly peeled away through lived experiences with his players, leading to one of the film’s most stirring emotional payoffs in a climactic monologue about the meaning of ‘normal’.

Still, the film has its missteps. It occasionally veers into overcompensating territory, with some characters, like the rebellious Golu Khan (played by Simran Mangeshkar), drawn too self-consciously as symbols of non-conformity. A subplot involving Gulshan’s mother (Dolly Ahluwalia) marrying the family’s house help (Brijendra Kala) feels jarringly inserted, undercutting the film’s otherwise earnest tone. Similarly, Gulshan’s marital discord with his wife Sunita (Genelia D’Souza), though entertaining in parts, could have been trimmed to keep the narrative taut.

That said, ‘Sitaare Zameen Par’ is a rare example of mainstream Hindi cinema daring to blend idealism with humour and soul. Aamir Khan is exceptional — his portrayal of a man fumbling through his prejudices is layered with authenticity and vulnerability. His tired, disillusioned gaze — part of the character’s hangover, both literal and metaphorical — serves as a powerful contrast to the energy of his team and underscores the depth of his eventual transformation.

Director Prasanna must be credited for handling the subject with remarkable sensitivity, steering clear of melodrama and focusing instead on silent victories, quiet realisations, and everyday triumphs. The film isn’t loud — and that’s its biggest strength. It speaks in whispers, and still manages to echo.

In a cinematic season crowded with spectacle and gloss, ‘Sitaare Zameen Par’ reminds audiences that there is room — and demand — for stories that care, that heal, and that look straight into the heart without flinching.


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